《[夜与日].(night.and.day).(英)弗吉尼亚·伍尔芙.文字版》

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[夜与日].(night.and.day).(英)弗吉尼亚·伍尔芙.文字版- 第75部分


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been looked at only through her eyes; it must have been 
described as one of magical brilliancy。 The pattern of the 
soupplates; the stiff folds of the napkins; which rose by 
the side of each plate in the shape of arum lilies; the 
long sticks of bread tied with pink ribbon; the silver dishes 
and the seacolored champagne glasses; with the flakes 
of gold congealed in their stems—all these details; together 
with a curiously pervasive smell of kid gloves; contributed 
to her exhilaration; which must be repressed; 
however; because she was grown up; and the world held 

no more for her to marvel at。 

The world held no more for her to marvel at; it is true; 
but it held other people; and each other person possessed 
in Cassandra’s mind some fragment of what privately 
she called “reality。” It was a gift that they would 
impart if you asked them for it; and thus no dinnerparty 
could possibly be dull; and little Mr。 Peyton on her right 
and William Rodney on her left were in equal measure 
endowed with the quality which seemed to her so unmistakable 
and so precious that the way people neglected to 
demand it was a constant source of surprise to her。 She 
scarcely knew; indeed; whether she was talking to Mr。 
Peyton or to William Rodney。 But to one who; by degrees; 
assumed the shape of an elderly man with a mustache; 
she described how she had arrived in London that very 
afternoon; and how she had taken a cab and driven 
through the streets。 Mr。 Peyton; an editor of fifty years; 
bowed his bald head repeatedly; with apparent understanding。 
At least; he understood that she was very young 
and pretty; and saw that she was excited; though he could 
not gather at once from her words or remember from his 

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own experience what there was to be excited about。 “Were 
there any buds on the trees?” he asked。 “Which line did 
she travel by?” 

He was cut short in these amiable inquiries by her desire 
to know whether he was one of those who read; or 
one of those who look out of the window? Mr。 Peyton was 
by no means sure which he did。 He rather thought he did 
both。 He was told that he had made a most dangerous 
confession。 She could deduce his entire history from that 
one fact。 He challenged her to proceed; and she proclaimed 
him a Liberal Member of Parliament。 

William; nominally engaged in a desultory conversation 
with Aunt Eleanor; heard every word; and taking advantage 
of the fact that elderly ladies have little continuity 
of conversation; at least with those whom they 
esteem for their youth and their sex; he asserted his presence 
by a very nervous laugh。 

Cassandra turned to him directly。 She was enchanted to 
find that; instantly and with such ease; another of these 
fascinating beings was offering untold wealth for her extraction。 


“There’s no doubt what you do in a railway carriage; 
William;” she said; making use in her pleasure of his first 
name。 “You never once look out of the window; you read 
all the time。” 

“And what facts do you deduce from that?” Mr。 Peyton 
asked。 

“Oh; that he’s a poet; of course;” said Cassandra。 “But I 
must confess that I knew that before; so it isn’t fair。 I’ve 
got your manuscript with me;” she went on; disregarding 
Mr。 Peyton in a shameless way。 “I’ve got all sorts of things 
I want to ask you about it。” 

William inclined his head and tried to conceal the pleasure 
that her remark gave him。 But the pleasure was not 
unalloyed。 However susceptible to flattery William might 
be; he would never tolerate it from people who showed a 
gross or emotional taste in literature; and if Cassandra 
erred even slightly from what he considered essential in 
this respect he would express his disfort by flinging 
out his hands and wrinkling his forehead; he would find 
no pleasure in her flattery after that。 

“First of all;” she proceeded; “I want to know why you 

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Night and Day 

chose to write a play?” 

“Ah! You mean it’s not dramatic?” 

“I mean that I don’t see what it would gain by being 
acted。 But then does Shakespeare gain? Henry and I are 
always arguing about Shakespeare。 I’m certain he’s wrong; 
but I can’t prove it because I’ve only seen Shakespeare 
acted once in Lincoln。 But I’m quite positive;” she insisted; 
“that Shakespeare wrote for the stage。” 

“You’re perfectly right;” Rodney exclaimed。 “I was hoping 
you were on that side。 Henry’s wrong—entirely wrong。 
Of course; I’ve failed; as all the moderns fail。 Dear; dear; 
I wish I’d consulted you before。” 

From this point they proceeded to go over; as far as 
memory served them; the different aspects of Rodney’s 
drama。 She said nothing that jarred upon him; and untrained 
daring had the power to stimulate experience to 
such an extent that Rodney was frequently seen to hold 
his fork suspended before him; while he debated the first 
principles of the art。 Mrs。 Hilbery thought to herself that 
she had never seen him to such advantage; yes; he was 
somehow different; he reminded her of some one who 

was dead; some one who was distinguished—she had 

forgotten his name。 

Cassandra’s voice rose high in its excitement。 

“You’ve not read ‘The Idiot’!” she exclaimed。 

“I’ve read ‘War and Peace’;” William replied; a little testily。 


“‘War and Peace’!” she echoed; in a tone of derision。 

“I confess I don’t understand the Russians。” 

“Shake hands! Shake hands!” boomed Uncle Aubrey from 
across the table。 “Neither do I。 And I hazard the opinion 
that they don’t themselves。” 

The old gentleman had ruled a large part of the Indian 
Empire; but he was in the habit of saying that he had 
rather have written the works of Dickens。 The table now 
took possession of a subject much to its liking。 Aunt 
Eleanor showed premonitory signs of pronouncing an 
opinion。 Although she had blunted her taste upon some 
form of philanthropy for twentyfive years; she had a fine 
natural instinct for an upstart or a pretender; and knew 
to a hairbreadth what literature should be and what it 
should not be。 She was born to the knowledge; and scarcely 

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Virginia Woolf 

thought it a matter to be proud of。 

“Insanity is not a fit subject for fiction;” she announced 
positively。 

“There’s the wellknown case of Hamlet;” Mr。 Hilbery 
interposed; in his leisurely; halfhumorous tones。 

“Ah; but poetry’s different; Trevor;” said Aunt Eleanor; 
as if she had special authority from Shakespeare to say 
so。 “Different altogether。 And I’ve never thought; for my 
part; that Hamlet was as mad as they make out。 What is 
your opinion; Mr。 Peyton?” For; as there was a minister of 
literature present in the person of the editor of an esteemed 
review; she deferred to him。 

Mr。 Peyton leant a little back in his chair; and; putting 
his head rather on one side; observed that that was a question 
that he had never been able to answer entirely to his 
satisfaction。 There was much to be said on both sides; but 
as he considered upon which side he should say it; Mrs。 
Hilbery broke in upon his judicious meditations。 

“Lovely; lovely Ophelia!” she exclaimed。 “What a wonderful 
power it is—poetry! I wake up in the morning all 
bedraggled; there’s a yellow fog outside; little Emily turns 

on the electric light when she brings me my tea; and 
says; ‘Oh; ma’am; the water’s frozen in the cistern; and 
cook’s cut her finger to the bone。’ And then I open a little 
green book; and the birds are singing; the stars shining; 
the flowers twinkling—” She looked about her as if these 
presences had suddenly manifested themselves round her 
diningroom table。 

“Has the cook cut her finger badly?” Aunt Eleanor demanded; 
addressing herself naturally to Katharine。 

“Oh; the cook’s finger is only my way of putting it;” 
said Mrs。 Hilbery。 “But if she had cut her arm off; Katharine 
would have sewn it on again;” she remarked; with an 
affectionate glance at her daughter; who looked; she 
thought; a little sad。 “But what horrid; horrid thoughts;” 
she wound up; laying down her napkin and pushing her 
chair back。 “e; let us find something more cheerful 
to talk about upstairs。” 

Upstairs in the drawingroom Cassandra found fresh 
sources of pleasure; first in the distinguished and expectant 
look of the room; and then in the chance of exercising 
her diviningrod upon a new assortment of human 

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Night and Day 

beings。 But the low tones of the women; their meditative 
silences; the beauty which; to her at least; shone even 
from black satin and the knobs of amber which encircled 
elderly necks; changed her wish to chatter to a more subdued 
desire merely to watch and to whisper。 She entered 
with delight into an atmosphere in which private matters 
were being interchanged freely; almost in monosyllables; 
by the older women who now accepted her as one of 
themselves。 Her expression became very gentle and sympathetic; 
as if she; too; were full of solicitude for the 
world which was somehow being cared for; managed and 
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